Monday, December 4, 2017

ABC No Rio in Exile at Bullet



Jim Costanza and Mike Estabrook, part of theJudgement Day show at Bullet Space

The taste of rubble

(It's been ages since I wrote on this blog. But it's time to vent, and move some words around on a page. After the occasion of the Senate tax bill middle-of-the-night vote, December 2, bastard Republicans 51-49. And after Juan Felipe Herrera Enter the Void)

The smell of rubble. Not a smell, really, but a coating and a choking. The taste of rubble, the grit and crunch between teeth, the clouds of dust that rise as you move, as things fall, as things pale. Smoke of dust and bone. Wet things in the rubble, unidentified and terrifying. Accidents of birth and circumstance. I chose the rubble I stood in but there’s no promise my walls won’t come tumbling down. What lives felt normal, until they weren’t? I sat at my computer, calm and quiet, until the building started to shimmy and shake, and a crack opened by my bed. My nightmares rain rubble. Lina went home to Rome and one day, in her kitchen, the floor opened beneath her and left her, broken, in the new rubble of her life. How many children are spitting rubble, or split and broken from it, unexpectant and incomprehending. Tax plan. Military spending. Calls and emails and no avail. Military spending. Children broken into pits of brick and stone and bone and dust and horror and mothers wailing and brothers digging and the mess sending people fleeing their homes to – not help, not open arms, not shelter and safety, but to cold and fear and abuse. To be depicted in lies and fury. When I was six years old my father brought home a family he found on the side of the road, to live with us for months. Rubble rains down when you least expect it. You can dig, you can carry, you have to water down that dust. Spit it out.


Sunday, March 25, 2012

Art vs. the Machine

Houston and Ludlow, c. 2004, former parking lot.
Artist Richard Hambleton tells the story of two junkies, looking to break into the cars, who kept waiting for a lot attendant to leave so they could get on with their business. At daylight they realize, furiously, they'd been foiled by his "shadowman"...
There's a 24-floor luxury apartment building on the lot now.

Monday, December 26, 2011

East River bandshell

c. 1989, the old bandshell in the East River park. The scene of the great graffiti/hip hop finale in Charlie Ahern's film Wild Style. Built in 1941, torn down and remade in 2001.

Grady's Altar

Grady was killed in 1991 in an altercation on the street with an off-duty NYPD cop and light-heavyweight boxer. A beautiful artist, a lousy punch, a great loss.

Saturday, December 17, 2011

Bullet Space c. 1990

Posters on the building are from the book project Your House Is Mine (edited by Nadia Coen and Andrew Castrucci). They were also pasted on abandoned buildings in the neighborhood.

4th of July (a good day for arson)

They blamed bottle rockets, but someone set fire to the building across the street. A big old factory - five floors of pigeon, rat and junkie droppings and the piled debris of years of disuse went up with a rush and the flames were so high you could see it blaze from blocks away. It burned so hot that we couldn’t stand on our roof - the heat reddened our faces and the smoke scorched our lungs, and the bricks of our building got too hot to touch. We were engulfed by the heat, afraid we’d burn down too, standing under cascades of sparks and blasts of superheated air.
And then the burning building collapsed, setting the firemen running and the neighbors yelling as bricks tumbled and burning beams flew about. A whole wall fell sideways, crushing all the cars parked in the lot next door and also the unlucky chickens cooped there. They were probably cooked already by the heat. By morning Third Street felt apocalyptic - a smoking, ruined landscape populated by fat rats, skinny cats and the local mob of skeletal stray dogs. For a week they pulled out the twisted metal of flattened cars and lined them up to be carted away - compacted scrap. The smell lingered - burnt neighborhood.
Another year on the Fourth, gangbangers lit up a bag of fireworks they had stuffed under the seat of a stripped car outside our front door. A smothered hissing detonation, then smoldering stinking black smoke until the car burst into flames. It burned so hard the fire licked our front door and second floor fire escape and the choking greasy smoke poured through our crooked old windows. We didn’t want to let the firemen in (safety violations always a good way to evict) but there was too much fire and they were too busy to mess with us. Let us in or we’ll cut the door down. My skin and everything in my apartment was covered with greasy black soot.
As our neighborhood was to drugs, Chinatown was to fireworks -
an open-air bazaar of shells and mortars, M-80s, blazing fountains and
roman candles. They sold openly on street corners and out of car trunks. Which meant that every year our building would shake rattle and roll with weeks of massive detonations in the streets. Smoke hung low on hot nights as the Lower East Side sky flashed colors and smelled of gunpowder. Dangerous and beautiful sparks, like us. We’d watch the shrieking rockets shoot up at buildings and whistle down the street at cars. Kids would shoot them at each other. For fireproofing we’d close our windows in the stifling summer heat and pray nothing landed on our roof.